The Curse of Dracula by Marv Wolfman
I'm going to blame dial-up for this, even if that makes me sound like a time traveler. I requested
The Curse of Dracula from NetGalley because HELLO, I LOVE
DRACULA,
as in the old-timey book. Stoker's classic spooked me deliciously and
unexpectedly, so I saw that Dark Horse Comics was offering a collection
of a series that involved a more modern Dracula story, and figured it
would be fun.

HOWEVER. My dial-up was acting up so I didn't see
the cover before requesting the book; if I had seen it, I would have
known it wasn't my cup of tea, based on the artwork alone. Once I
downloaded it, though, I figured I might as well read it anyway -- I
mean, I like comics, and I like supernatural stories, so it's not
terribly out of my range.
I'll just be upfront here: I didn't like
The Curse of Dracula.
The story felt incomplete, and I like my TPBs to feel more contained
within themselves. The artwork was okay, but came off as dated, and I
found it confusing at times, although part of the difficulty might have
been that I was viewing it on a computer screen.
I also had a
problem connecting with the characters. The story is essentially this: a
gang of vampire hunters are . . . hunting vampires. Also Dracula is
involved in a presidential race. Don't look for a conclusion to either
storyline, though, because it all just kind of STOPS at the end of the
book. Maybe the series was never completed? The good guys were the
vampire hunters, but they were just sketches, for the most part, and
when one of their number was seriously injured, I honestly had to go
back to the beginning of the book to remember who he was. The plot isn't
cohesive and it's hard to be properly horrified when you're trying to
figure out if you've heard of "the sanitarium" before.
It's disappointing, too, because I really, really wanted to like
The Curse of Dracula
after I read the foreword and introduction by Wolfman -- the foreword
is from the reissue, and the introduction is from the 2005 edition --
who obviously has affection for his series and for Gene Colan, the
artist behind
The Curse of Dracula and Wolfman's previous series,
Tomb of Dracula. Unfortunately, I enjoyed reading those bits of text way more than I enjoyed the story itself.
Maybe hardcore horror fans who are into comics would get more of a kick out of
The Curse of Dracula
than I did; I might just be the wrong audience for it. Anyway, it was
interesting to go outside my comfort zone, but I think I'll scamper back
home for a while.
(1.5/2)